Ellora Caves

The cave temples and monasteries at Ellora, excavated out of the vertical face of an escarpment, are 26 km north of Aurangabad. Extending in a linear arrangement, the 34 caves contain Buddhist Chaityas or halls of worship, and Viharas, or monasteries, Hindu and Jai temples.

Spanning a period of about 600 years between the 5 th and 11 th century AD, the earliest excavation here is of the Dhumar Lena (Cave 29).The most imposing excavation is, without doubt, that of the magnificent Kailasa Temple (Cave 16) which is the largest monolithic structure in the world. Interestingly, Ellora, unlike the site of Ajanta, was never 'rediscovered'. Known as Verul in ancient times, it has continuously attracted pilgrims through the centuries to the present day.

Ellora has been designed as a World Heritage Site, to be preserved as an artistic legacy that will continue to inspire and enrich the lives of generations to come.

Listing of Caves:
Buddhist Caves: 5 th century to 7 th century AD - Caves 1 to 12 at the southern end
Hindu Caves: 8 th century to 10 th century AD - Caves 13 to 29 in the middle
Jain Caves: 9 th century to 11 th century AD - Caves 30 to 34 at the northern end

Pitalkhora Caves

Not as well known as Ajanta yet also interest are the rock-cut caves of Pitalkhora in the Satamala range of the Sahyadri hills. There are thirteen caves, set high up on the hill, overlooking picturesque ravines. Many of the caves contain carvings and paintings that date from the 1st century B.C. to the 5the century A.D. They were discovered after Ajanta and are first mentioned in a publication of 1853 where Caves 3 and 4 are described.

Many of the carvings as well as the paintings have been damaged by the weather and vandals. The caves appear to be of the early Hinayana period of Buddhism and are contemporary to the other rock-cut Buddhist temples in western India. They were probably excavated and carved during the Satavahana-Kshaharata regimes. There appears to be a subsequent period of desertion and re-occupation much later in the 5th century A.D. during the Vakataka rule. In the Hinayana Buddhist period no images of Buddha or Bodhisattvas (celestial beings personifying the virtues of Buddha and attending to the needs of the people) appear in places of worship and none can be seen in the caves of Pitalkhora except for the paintings in Cave 3, which belong to the later phase of occupation.

Because of their locations the caves have been divided into two groups. Caves 1-9 face north and east and are adjacent to each other. These are in Group I. On the other side of the hill, facing southwards are Caves 10-14 which make up Group II


Many of the caves have crumbled and are badly damaged. Cave 1 looks like a huge natural opening. There are indications of cells and door supports and it may have formed an extensive Vihara or monastery.

Caves 2, 3 and 4 share the same forecourt and are presumed to be of the same period. The dividing wall between 2 and 3 has disappeared, 2 was a Vihara and has an interesting rock-cut drain which prevents water from flowing into Cave 3 which was a prayer hall.

The best paintings are in Cave 3. These appear on the pillars and side walls. 37 pillars used to separate the aisle from the hall and these were donated individually as inscriptions on the 10th and 11th pillars, on the right, indicate. The donors of both these pillars were residents of Paithan. Steps lead down to a basement containing several carvings. Rare crystals and other reliquaries were found in the stupa here.